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Lev Vladimirovich Kuleshov (Russian: Лев Владимирович Кулешов; 13 January [O.S. 1 January] 1899 – 29 March 1970) was a Russian and Soviet filmmaker and film theorist, one of the founders of the world's first film school, the Moscow Film School. [1] He was given the title People's Artist of the RSFSR in 1969.
Upon the establishment of the Russian Soviet Federative Socialist Republic (RSFSR) on November 7, 1917 (although the Union of Soviet Socialist Republics did not officially come into existence until December 30, 1922), what had formerly been the Russian Empire began quickly to come under the domination of a Soviet reorganization of all its institutions.
Russian Futurist cinema refers to the futurist movement in Soviet cinema. Russian Futurist cinema was deeply influenced by the films of Italian futurism (1916–1919) most of which are lost today. Some of the film directors identified as part of this movement are Lev Kuleshov , Dziga Vertov , Sergei Eisenstein , Vsevolod Pudovkin and Aleksandr ...
The Soviet era was the golden age of Russian science fiction. [8] Soviet writers were innovative, numerous and prolific, [9] despite limitations set up by state censorship. Both Russian and foreign writers of science fiction enjoyed mainstream popularity in the Soviet Union, and many books were adapted for film and animation.
Because Bezhin Meadow was repeatedly edited, re-shot, and changed to satisfy the Soviet government authorities, several versions of the film were created.. The most sourced and best-known version focuses on Stepok, a young boy in a collective farming village, who is a member of the local Young Pioneers Communist organization, as are other local children.
Five–Year Plan for the Restoration and Development of Soviet Cinematography / Ivan Bolshakov, Minister of Cinematography of the Soviet Union – 2nd Edition (Revised) – Moscow: State Publishing House of Cinematic Literature, 1946 (Printing House "Red Banner") – 47 Pages; Soviet Cinema in 1947: Transcript of a Public Lecture Delivered on ...
That is how Zatsepin began to work in the field of Soviet cinema. Since 1965, Zatsepin worked with Leonid Derbenyov. Together they wrote over 100 songs. In the mid-1970s, Zatsepin created his own home studio [5] He designed his own version of the Mellotron (which he called orchestrolla). [6] A high technical level of the studio attracted many ...
The film presents, for the first time in Soviet cinema, the intense debates during the historic meeting of the Bolshevik Central Committee regarding the uprising. Key figures such as Trotsky (declaring, "My position aligns with Lenin’s; we must seize power"), Zinoviev, Kamenev, Uritsky, and a young Stalin are shown in their critical roles.