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However, if we instead stretch the definition a bit, to where the album is the concept, then it is clear that progressive rock is entirely a music of concept albums—and this flows rather directly of Rubber Soul (December 1965) and then Revolver (1966), Pet Sounds, and Sergeant Pepper's. ... in the wake of these albums, many rock musicians ...
Material (music or sounds) is stored on an album in sections termed tracks. A music track (often simply referred to as a track) is an individual song or instrumental recording. The term is particularly associated with popular music where separate tracks are known as album tracks; the term is also used for other formats such as EPs and singles
The album garnered recognition for the Beatles as artists from the American mainstream press, [39] anticipating rock music's cultural legitimisation as an art form. [40] Writing in 1968, Gene Sculatti of Jazz & Pop recognised Rubber Soul as "the definitive 'rock as art' album" and "the necessary prototype" that major artists such as the Rolling ...
In book publishing, an anthology is a collection of literary works chosen by the compiler; it may be a collection of plays, poems, short stories, songs, or related fiction/non-fiction excerpts by different authors. There are also thematic and genre-based anthologies.
A definition of music endeavors to give an accurate and concise explanation of music's basic attributes or essential nature and it involves a process of defining what is meant by the term music. Many authorities have suggested definitions, but defining music turns out to be more difficult than might first be imagined, and there is ongoing debate.
The Harmonice Musices Odhecaton (One Hundred Songs of Harmonic Music, [1] also known simply as the Odhecaton) is an anthology of polyphonic secular songs published by Ottaviano Petrucci in 1501 in Venice. It is the first book of polyphonic music ever to be printed using movable type.
A compilation album comprises tracks, which may be previously released or unreleased, usually from several separate recordings by either one performer or by several performers. If the recordings are from one artist, then generally the tracks were not originally intended for release together as a single work, [ 1 ] but may be collected together ...
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