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Miming is an art form in which the performer uses gestures to convey a story; charades is a game of gestures. Mimed gestures might generally be used to refer to an action in context, for example turning a pretend crank to ask someone to lower a car side window (or for modern power windows, pointing down or miming pressing a button).
After independence, Brutalism was employed during the martial-law era. After the restoration of democracy, indigenous architecture revived during the late 20th and 21st centuries; these buildings have become bases for Filipino nationalism. Modern architecture is popular, and examples include Saint Andrew the Apostle Church and the Manila Hotel ...
The United Nations Educational, Scientific and Cultural Organisation (UNESCO) intangible cultural heritage elements are the non-physical traditions and practices performed by a people.
President Rodrigo Duterte extends his hand to skater Margielyn Didal who showed a gesture of respect to the President on September 12, 2018. Mano is an "honouring-gesture" used in Filipino culture performed as a sign of respect to elders and as a way of requesting a blessing from the elder. Similar to hand-kissing, the person giving the greeting bows towards the hand of the elder and presses ...
Non-verbal leakage is a form of non-verbal behavior that occurs when a person verbalizes one thing, but their body language indicates another, common forms of which include facial movements and hand-to-face gestures. The term "non-verbal leakage" got its origin in literature in 1968, leading to many subsequent studies on the topic throughout ...
Speech-independent gestures are nonverbal cues that communicate a word or an expression, most commonly a dictionary definition. [67] Although there is differences in nonverbal gestures across cultures, speech-independent gestures must have an agreeable understanding among people affiliated with that culture or subculture on what that gesture's ...
During the 19th century in Spanish Philippines, there was a set of body language expressed by courted women to communicate with their suitors. These are non-verbal cues which Ambeth Ocampo referred to as "fan language". These are called as such because the woman conveys her messages through silent movements that involve a hand-held fan.
By introducing modern ideas into the Philippine art scene, Victorio Edades managed to destroy the conventions of domestic art, and also got rid of the clichéd ideology he believed stunted the development of Philippine art. His defiance to what the Conservatives structured as ‘art’ was a conscious call for real artistic expression.