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Hypertext, in semiotics, is a text which alludes to, derives from, or relates to an earlier work or hypotext (a subsequent of a hypotext). [1]For example, James Joyce's Ulysses could be regarded as one of the many hypertexts deriving from Homer's Odyssey; Angela Carter's "The Tiger's Bride" can be considered a hypertext which relates to an earlier work, or hypotext, the original fairy-story ...
Its hypertext is situated along a linear axis. With a straight path from beginning to end, it is fairly easy for the reader to follow. An example of an axial hypertext fiction is The Virtual Disappearance of Miriam. Arborescent hypertext fiction is more complex than the axial form. Its hypertext has a branching structure which resembles a tree ...
Hypotextuality or hypertextuality is the relation between a text and a preceding 'hypotext' – a text or genre on which it is based but which it transforms, modifies, elaborates or extends. Examples are parody, spoof, sequel, and translation. In information technology, hypertextuality is a text that takes the reader directly to other texts. [2]
For example, Homer's Odyssey could be regarded as the hypotext for James Joyce's Ulysses. The word was defined by the French theorist Gérard Genette as follows "Hypertextuality refers to any relationship uniting a text B (which I shall call the hypertext) to an earlier text A (I shall, of course, call it the hypotext ), upon which it is ...
The four-sides model (also known as communication square or four-ears model) is a communication model postulated in 1981 by German psychologist Friedemann Schulz von Thun. According to this model every message has four facets though not the same emphasis might be put on each.
Some other web examples of hypertext fiction include Stuart Moulthrop's Hegirascope (1995, 1997), The Unknown (which won the trAce/Alt X award in 1998), The Company Therapist (1996–1999) (which won Net Magazine's "Entertainment Site of the Year"), and Caitlin Fisher's These Waves of Girls (2001) (which won the ELO award for fiction in 2001).
The six factors of an effective verbal communication. Each corresponds to a communication function (not displayed in this picture). [1] Roman Jakobson defined six functions of language (or communication functions), according to which an effective act of verbal communication can be described. [2] Each of the functions has an associated factor.
Many models of communication include the idea that a sender encodes a message and uses a channel to transmit it to a receiver. Noise may distort the message along the way. The receiver then decodes the message and gives some form of feedback. [1] Models of communication simplify or represent the process of communication.