Search results
Results from the WOW.Com Content Network
Walter Kaner (May 5, 1920 – June 26, 2005) was a journalist and radio personality who broadcast using the name Tokyo Mose during and after World War II. Kaner broadcast on U.S. Army Radio, at first to offer comic rejoinders to the propaganda broadcasts of Tokyo Rose and then as a parody to entertain U.S. troops abroad.
Propaganda for Japanese-American internment is a form of propaganda created between 1941 and 1944 within the United States that focused on the relocation of Japanese Americans from the West Coast to internment camps during World War II. Several types of media were used to reach the American people such as motion pictures and newspaper articles ...
The use of propaganda in World War II was extensive and far reaching but possibly the most effective form used by the Japanese government was film. [3] Japanese films were produced for a far wider range of audiences than American films of the same period. [ 4 ]
In addition to censorship, the occupiers “regularly planted articles, photographs, and other items in the Japanese press,” [50] which included pro-American propaganda highlighting the glamour of American culture. Women's magazines such as Sutairu and Sutairu To Dezain encouraged Japanese women to idolize American beauty standards, arguing ...
Stylized Japanese soldier, meant to appear ape-like Japanese symbolism being overshadowed and defeated by American production. After Japan's Attack on Pearl Harbor, the United States entered World War II. Crucial to the United States propaganda plan was to ensure that this attack was broadcast by any and all means. Japan was the enemy. [1]
Eighty years ago, the Japanese and Japanese Americans — men, women, kids, two, three generations of families who had been locked up in wartime incarceration camps like Manzanar — were allowed ...
Nippon Fujin (Japanese: 日本婦人, romanized: Japanese Women) was a Japanese political magazine targeting women. [1] The magazine was one of the best-selling magazines during World War II in Japan. [2] It existed between 1942 and 1945.
The trio was part of Japan's cultural propaganda efforts during the Second World War, aimed at promoting the Greater East Asia Co-Prosperity Sphere—a concept that sought to create a bloc of Asian nations ruled by Japan, ostensibly free from Western imperialism due to being controlled by the Japanese colonial empire. [1]