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Illustration from the Bamberg Apocalypse of the Son of Man among the seven lampstands The Vision of John on Patmos by Julius Schnorr von Carolsfeld (1860). John's vision of the Son of Man, also known as John’s Vision of Christ, is a vision described in the Book of Revelation (Revelation 1:9–20) in which the author, identified as John, sees a person he describes as one "like the Son of Man" ().
According to Pope Benedict XVI some of the images of Revelation should be understood in the context of the dramatic suffering and persecution of the churches of Asia in the 1st century. [64] Accordingly, they argue, the Book of Revelation should not be read as an enigmatic warning, but as an encouraging vision of Christ's definitive victory ...
— Revelation 6:7–8 (New American Standard Bible) [46] The fourth and final Horseman is named Death (Greek: Θᾰ́νᾰτος, Thánatos , Latin: Mŏrs or Thanatus ). Death , known in Latin as Mŏrs and in Greek as Thánatos (Θᾰ́νᾰτος), [ 47 ] of all the riders, he is the only one to whom the text itself explicitly gives a name.
The Lamb opening the book/scroll with seven seals. The Seven Seals of God from the Bible's Book of Revelation are the seven symbolic seals (Greek: σφραγῖδα, sphragida) that secure the book or scroll that John of Patmos saw in an apocalyptic vision.
It was during this period that Blake was commissioned to create over one hundred paintings intended to illustrate books of the Bible. These paintings depict "The Great Red Dragon" in various scenes from the Book of Revelation. And behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads.
Revelation 17–18 introduces a Woman dressed in purple and scarlet, and decked with gold, precious stones and pearls. She sits on a scarlet beast with 7 heads (representing 7 mountains and 7 kings)(Revelation 17:9–10) and 10 horns (representing 10 kings who have not received a kingdom, while still having king-like authority).
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...
The commentary of the New American Bible states that "The woman adorned with the sun, the moon, and the stars (images taken from Genesis 37:9–10) symbolizes God’s people in the Old and the New Testament. The Israel of old gave birth to the Messiah (Rev 12:5) and then became the new Israel, the church, which suffers persecution by the dragon ...
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