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Movie quotation: A statement, phrase or brief exchange of dialogue spoken in an American film. [a] Lyrics from songs are not eligible. Cultural impact: Movie quotations that viewers use in their own lives and situations; circulating through popular culture, they become part of the national lexicon.
The Thin Man (1957–1959)* (Based on the 1934 film and its sequels by MGM) (co-production with Clarington Productions) Northwest Passage (1958–1959)* National Velvet (1960–1962) (co-production with Velvet Productions) (Based on the 1944 film of the same name by MGM) The Best of the Post (1960) The Islanders (1960–1961) The Asphalt Jungle ...
This is a list of feature films originally released and/or distributed by Metro-Goldwyn-Mayer (to include MGM/UA Entertainment Co., MGM/UA Communications Co., MGM-Pathe Communications Co. and MGM/UA Distribution Co.).
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
The list was also counted down in an ABC television special, TV Guide's 50 Best Shows of All Time, on May 13, 2002. The 50 entries, chosen and ranked by the editors of TV Guide, consist of regularly scheduled series spanning more than half a century of television. TV movies, miniseries and specials were not eligible. [1]
By Serge Stevens. The comedy team is a sacred show-business relationship. From the beginning of time, when Eve asked Adam if he wanted a bite to eat, having two or more characters deliver the ...
After all, tomorrow is another day; Ah, phooey! All right Mr. DeMille, I'm ready for my close-up; All those moments will be lost in time, like tears in rain; All-righty then; Alright, Mr. DeMille, I'm ready for my close-up; Alrighty Then; Always Look on the Bright Side of Life; America, fuck yeah; And don't call me Shirley ¡Ándale! ¡Ándale ...
A gambler (Warren Beatty) and a prostitute (Julie Christie) form a partnership in one of director Robert Altman’s early films that ranks 8th on the American Film Institute’s list of best Westerns.
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