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Kanhaiyalal Sethia (() 11 September 1919 – () 11 November 2008) was a well-known Rajasthani and Hindi poet. He was born in Sujangarh, in what is now Churu District in the Indian state of Rajasthan. He was a passionate supporter of making Rajasthani, the mother tongue of the people of Rajasthan, at the union level
Medieval Rajasthani literature was mostly heroic poetry mentioning the great kings and fighters of Rajasthan. Rabindra Nath Tagore , a Bengali polymath, once said, "The heroic sentiment which is the essence of every song and couplet of a Rajasthani is peculiar emotion of its own of which, however, the whole country may be proud".
Malchand Tiwari is a poet, writer and translator in Rajasthani and Hindi. He is an executive member of Sahitya Akademi (Academy of Literature). He has served for many literary institutes of national and international reputation.
I have attained the treasure of God's name) is a Rajasthani language poem by 15th- century Indian poet Mirabai. [1] In this poem, Mirabai says that she attains a great wealth of God's name. [2] The poem was popularized by Indian singer, D. V. Paluskar, and later also by Lata Mangeshkar (1929–2022). [3]
Regmal (ISBN 9789388820356 Regmal (रेगमाल)), Hindi Poetry Collection Rankhaar ( ISBN 9789384979867 ), Rajasthani Poetry [ 30 ] ADIOS ( ISBN 9789388820110 ), Dhai Aakhar Ki Dhai Kahaniyan, Hindi Short stories]
Due to respect for his mother tongue Rajasthani, Bijji has never written in any other language, most of his works are translated into Hindi by one of his sons Kailash Kabeer. Baton Ki Bagiya vol. 1–14, 2019, (Hindi translation of Batan Ri Phulwari) Published by Rajasthani Granthagar, Jodhpur; Usha, 1946, poetry; Bapu ke teen hatyare, 1948 ...
Samaur is the recipient of the Sahitya Akademi Award 2020 (in Rajasthani language) for his work Sanskriti ri Sanatana Deeth. [2] His career has spanned more than 50 years including works on history, literature, and poetry in Rajasthani as well as Hindi. [3] Dr. Samaur is a retired Hindi Lecturer from Lohia Postgraduate College, Churu. [4]
It is a unique feature of Rajasthani poetry. As doha is the most popular metre of Apabhramsa, so is Gīt for Rajasthani. [11] Gīts are of 120 types. Usually, In the Dingal texts of prosody, there have been 70-90 types of Gīts in usage. A Git is like a small poem. Its not to be sung but recited in "high-pitched tones in a peculiar style".