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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features. [1]
Traditional Balinese painting depicting cockfighting. Indonesian painting has a very long tradition and history in Indonesian art, though because of the climatic conditions very few early examples survive, Indonesia is home to some of the oldest paintings in the world.
Chuah Thean Teng was born in 1914 in Fujian, China; Chuah's father traded sundries while his mother made shoes for women with bound feet.The family emigrated to Penang, Malaysia when Chuah was 14; Chuah returned to Fujian to pursue an education at the Amoy Art School (later the Xiamen Academy of Fine Arts), but returned to Malaya (now Malaysia) at the age of 17. [1]
Pestling rice in the traditional fashion at Sirnarasa village. The Kasepuhan Banten Kidul are a traditional Sundanese community of approximately 5,300 people. They live in the southern part of Gunung Halimun National Park, in the Indonesian province of West Java.
Ida Bagus Made's paintings are some of the best examples of the Ubud school from the Pitamaha generation, and have not been surpassed by younger painters. [2] His paintings have been acquired by prestigious institutions all over the world, including the United Nations, the Royal Tropical Institute Museum (Amsterdam) and the Royal Ethnographic Museum (Leiden).
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.