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In the United Kingdom, the United States, and Canada, a form of glockenspiel is called a bell lyre, bell lyra, or lyra-glockenspiel. [11] The bell lyre is a form of glockenspiel commonly used in marching bands. [12] One variation is played vertically and has an extendable spike that is held on a strap.
The J. C. Deagan company originally headquartered in St. Louis, Missouri, until it moved to Chicago, Illinois, in the early 20th century. Deagan was unsatisfied with the intonation of the glockenspiels used in theater orchestras, with which he had performed. He experimented with the instrument's acoustics and tuning, and developed the first ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 12 February 2025. Classified advertisements website Craigslist Inc. Logo used since 1995 Screenshot of the main page on January 26, 2008 Type of business Private Type of site Classifieds, forums Available in English, French, German, Dutch, Spanish, Italian, Portuguese Founded 1995 ; 30 years ago (1995 ...
A rest is the absence of a sound for a defined period of time in music, or one of the musical notation signs used to indicate that. The length of a rest corresponds with that of a particular note value, thus indicating how long the silence should last. Each type of rest is named for the note value it corresponds with (e.g. quarter note and ...
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The keyboard glockenspiel (French: jeu de timbre) or organ glockenspiel [clarification needed] is an instrument consisting of a glockenspiel operated by a piano keyboard. It was first used by George Frideric Handel in the oratorio Saul (1739).
A similar, but rarely encountered symbol is the sixty-fourth rest (or hemidemisemiquaver rest, shown in figure 1) which denotes silence for the same duration as a sixty-fourth note. Notes shorter than a sixty-fourth note are very rarely used, though the hundred twenty-eighth note —otherwise known as the semihemidemisemiquaver [ 4 ] —and ...
A single eighth note, or any faster note, is always stemmed with flags, while two or more are usually beamed in groups. [16] When a stem is present, it can go either up (from the right side of the note head) or down (from the left side), except in the cases of the longa or maxima which are nearly always written with downward stems.