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short for (ellipsis of) à la manière de; in the manner of/in the style of [1] à la carte lit. "on the card, i.e. menu"; In restaurants it refers to ordering individual dishes "à la carte" rather than a fixed-price meal "menu". In America "à la Carte Menu" can be found, an oxymoron and a pleonasm. à propos
La Nature (English: Nature) was a French language magazine aimed at the popularization of science established in 1873 by French scientist and adventurer Gaston Tissandier. The magazine also received an enormous amount of time, effort, and contributions from his brother, Albert Tissandier .
literally "with the voice". An instruction, in a choral or orchestral part, that a vocal part should be followed, e.g., play the same notes as the vocal part and accommodate the tempo, expression, etc. of the vocalist coloratura Coloration (i.e. elaborate ornamentation of a vocal line, or a soprano voice that is well-suited to such elaboration)
Translation of a text that is sung in vocal music for the purpose of singing in another language—sometimes called "singing translation"—is closely linked to translation of poetry because most vocal music, at least in the Western tradition, is set to verse, especially verse in regular patterns with rhyme.
Natura non facit saltus [1] [2] (Latin for "nature does not make jumps") has been an important principle of natural philosophy.It appears as an axiom in the works of Gottfried Leibniz (New Essays, IV, 16: [2] "la nature ne fait jamais des sauts", "nature never makes jumps"), one of the inventors of the infinitesimal calculus (see Law of Continuity).
Speaker Mike Johnson, R-La., has pleaded with Trump to avoid taking any more House members for his administration. "It's a great problem to have," Johnson said on Fox News earlier this month.
Conference foes No. 17 BYU and No. 23 Colorado will square off on Saturday night in the Alamo Bowl in San Antonio. The Cougars (10-2) and Buffaloes (9-3) once had their sights set on a Big 12 ...
Ce qu'on entend sur la montagne, S. 95, is the first of thirteen symphonic poems by Austro-Hungarian composer Franz Liszt. It is an orchestral work inspired by Victor Hugo's poem of the same name, published as No. 5 of his collection Les Feuilles d'automne (1831). The French title means "What one hears on the mountain".