Search results
Results from the WOW.Com Content Network
The philosopher in Indonesian history of philosophy who firstly understood Budi (or more frequently, Kebudayaan) as culture is Sutan Takdir Alisjahbana (1908–1994). Koentjaraningrat , an American-trained anthropologist, then continued using the meaning in his famous book, Manusia dan Kebudayaan di Indonesia . [ 6 ]
The Ministry of Culture of the Republic of Indonesia (Indonesian: Kementerian Kebudayaan Republik Indonesia, abbreviated as Kemenbud RI or Kemenbud) is a ministry within the Indonesian Government tasked with organizing government affairs in the field of cultural advancement objects, cultural heritage, and other cultures.
The National Intangible Cultural Heritage of Indonesia is a "living culture" that contains philosophical elements from the traditions of society and is still handed down from generation to generation. Edi Sedyawati (in the introduction to the Intangible Cultural Heritage Seminar, 2002) added an important element in the notion of intangible ...
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Bali Arts Festival (Indonesian: Pesta Kesenian Bali; Balinese: ᬧᬾᬲ᭄ᬢᬓᬾᬲᬾᬦᬶᬬᬦ᭄ᬩᬮᬶ) or PKB is an annual arts festival in Bali, Indonesia that celebrates, preserves and develops Balinese art and culture. [2] First held in 1979 it has become Indonesia's longest-running arts festival.
Kuda Lumping (Javanese: ꦗꦫꦤ꧀ꦏꦺꦥꦁ, Jaran Kepang or Jathilan, Indonesian: Kuda Lumping or Kuda Kepang, English: Flat Horse) is a traditional Javanese dance originated from Ponorogo, East Java, Indonesia depicting a group of horsemen. Dancers "ride" horses made from woven bamboo and decorated with colorful paints and cloth.
In implementing the National Culture, we tried to create with the seriousness that honestly as a struggle to maintain and develop our self dignity as a nation of Indonesia in the community of nations. Pancasila is the philosophy of our culture. Jakarta, August 17, 1963 [1] [2] [3]
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.