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House M.D. Original Television Soundtrack is a soundtrack album from the television series House.It was released on September 18, 2007 by Nettwerk Records. [1] The soundtrack includes full length versions of songs featured in the show, such as "See the World" by Gomez, "Walter Reed" by Michael Penn, and "Teardrop", the show's opening theme, performed by Massive Attack.
The music video, directed by Walter Stern, features a foetus singing in the womb, and the song has been featured in various television programmes, including as the opening theme for the US television programme House and the Australian show The Lost Flowers of Alice Hart.
While Frederick and Salvay worked on the incidental scene change music together, they formed a partnership with singer Carly Rae Jepsen and songwriter/producer Butch Walker to remix "Everywhere You Look" in new vocal and instrumental forms, those of which would serve as the opening and closing themes to Fuller House. Jepsen performed the ...
Solid Gold – Theme song performed by Dionne Warwick (Seasons 1 and 4) and Marilyn McCoo (Seasons 2–3, 5–8) Some Mothers Do 'Ave Em – Ronnie Hazlehurst; The Sonny & Cher Comedy Hour ("The Beat Goes On") – Sonny Bono and Cher; Sonny with a Chance ("So Far, So Great") – Demi Lovato; The Sooty Show – Alan Braden
"Our House" is a song written by British singer-songwriter Graham Nash and recorded by Crosby, Stills, Nash & Young on their album Déjà Vu (1970). The single reached No. 30 on the U.S. Billboard Hot 100 [ 1 ] and No. 20 on the Cash Box Top 100. [ 2 ]
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This theme is so called "Tragic Love" for it will be used not only to represent the quickly broken relationship between Rhaenyra and Criston, but also the tragic fate of Daemon Targaryen and Laena Velaryon's relationship. 2:53: 17. "House Velaryon" House Velaryon Theme.
House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. [11] It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat.