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William James Collins (born March 22, 1941) is an American poet who served as the Poet Laureate of the United States from 2001 to 2003. [1] He was a Distinguished Professor at Lehman College of the City University of New York, retiring in 2016.
Collins' only other completed poem afterwards was the "Ode written on the death of Mr Thomson" (1749), but his unfinished works suggest that he was moving away from the contrived abstraction of the Odes and seeking inspiration in an idealised time uncorrupted by the modern age. Collins had showed the Wartons an "Ode on the Popular Superstitions ...
American Poetry Review: John Brehm "Sea of Faith" The Southern Review: Hayden Carruth "Because I Am" Seneca Review: Lucille Clifton "the mississippi river empties into the gulf" River City: Billy Collins "Dharma" Poetry: Robert Creeley "Mitch" Solo: Lydia Davis "Betrayal" Hambone: Debra Kang Dean "Taproot" Crab Orchard Review: Chard deNiord ...
Picnic, Lightning is a collection of poetry by Billy Collins, published in 1998.His fourth book of poetry, it was his first to be widely published (selling over 50,000 copies) [1] and his last before election as United States Poet Laureate.
The aim is not to move a reader, but to rev up his cognitive functions." Smith thought the volume's best poems were the contributions from Kim Addonizio, Craig Arnold, Billy Collins, Carla Harryman, Jane Hirshfield, Danielle Pafunda, James Tate, Paul Violi, and David Wagoner. [2]
The Art of Drowning is a book of poetry by the American Poet Laureate Billy Collins, first published in 1995. John Updike described the collection as "Lovely poems—lovely in a way almost nobody's since [Theodore] Roethke's are. Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and ...
Pāli poetry follows very similar patters as Sanskrit poetry, in terms of prosody, vocabulary, genres, and poetic conventions; indeed several Pāli authors were well conversant with Sanskrit and even composed works in that language (such as, for example, the Anuruddhaśataka).
In 2005, Wyatt Mason of The New York Times called the book "one of the most highly acclaimed debuts for a poet in recent memory." In conversation with Mason, Billy Collins said the poems of Actual Air "are full of complex turns and tricks and conceptual hijinks, and yet there's this surface clarity. You're welcomed into the poem." [5]