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The Romantic period was a time of abstract expression and inward focus; during the Victorian era, ... A History of Victorian Literature (Wiley, 2011).
Historical romance novels are rarely published in hardcover, with fewer than 15 receiving that status each year. The contemporary market usually sees 4 to 5 times that many hardcovers. Because historical romances are primarily published in mass-market format, their fortunes are tied to a certain extent to the mass-market trends.
In particular, Felicia Hemans, although sticking to its forms, began a process of undermining the Romantic tradition, a deconstruction that was continued by Letitia Elizabeth Landon (1802–1838). [54] [55] Landon's novel forms of metrical romance and dramatic monologue was much copied and had a long and lasting influence on Victorian poetry. [56]
Whereas romance and realism had traditionally been contradictory modes of literature, they were brought together in sensation fictionof the Victorian era – combining "romance and realism" in a way that "strains both modes to the limit". [72] [73] The loss of identity is seen in many sensation fiction stories because this was a common social ...
The Romance novelist, Maria Edgeworth, influenced Victorian era motifs and authors with many of her works including Belinda (1801) and Helen (1834). An admirer of Edgeworth, Jane Austen, further influenced the Romance genre and Victorian era with her novel Pride and Prejudice (1813), which was called "the best romance novel ever written."
Letitia Elizabeth Landon was born on 14 August 1802 in Chelsea, London to John Landon and Catherine Jane, née Bishop. [5] A precocious child, Landon learned to read as a toddler; a disabled neighbour would scatter letter tiles on the floor and reward young Letitia for reading, and, according to her father, "she used to bring home many rewards".
The Regency-set books written by authors such as Christina Dodd, Eloisa James, and Amanda Quick are generally considered to be Regency Historical works. Regency romances which may include more social realism, or, conversely, anachronistically modern characterization, might be classed by some as "Regency Historical", signifying that their general setting is in Regency England, but the plot ...
The Victorian sensation novel has been variously defined as a "novel-with-a-secret" [10] and as the sort of novel that combines "romance and realism" in a way that "strains both modes to the limit". [11]
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