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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
Parallelism: the use of similar structures in two or more clauses. Paraprosdokian: A sentence or phrase with an unexpected twist or surprise at the end. Paroemion: alliteration in which nearly every word in a sentence or phrase begins with the same letter. Polyptoton: repetition of words derived from the same root.
A legal term meaning that something is prohibited because it is inherently wrong (cf. malum prohibitum); for example, murder. malum prohibitum: wrong due to being prohibited: A legal term meaning that something is only wrong because it is against the law (cf. malum in se); for example, violating a speed limit. mandamus: we command
A gloss is a brief notation, especially a marginal or interlinear one, of the meaning of a word or wording in a text. It may be in the language of the text or in the reader's language if that is different. A collection of glosses is a glossary.
The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence. [17] Vicit pudorem libido timorem audacia rationem amentia. (Cicero, Pro Cluentio, VI.15)
Also, the novel manifests a few common character types that run through Bellow's literary works. One type is the Bellovian Hero, often described as a schlemiel. Eugene Henderson, in company with most of Bellow's main characters, can be given this description, in the opinion of some people.
In this sentence, Wiesel uses two parallel independent clauses written in the passive voice. The first clause establishes suspense about who rules the ghetto, and then the first few words of the second clause set up the reader with the expectation of an answer, which is metaphorically revealed only in the final word of the sentence.