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The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
"Xiang River Goddesses" (Xiang Jun), poem number 3 of 11 in the Nine Songs section, in an annotated version of Chu Ci, published under title Li Sao, attributed to Qu Yuan and illustrated by Xiao Yuncong. Jiu Ge, or Nine Songs, (Chinese: 九歌; pinyin: Jiǔ Gē; lit. 'Nine Songs') is an ancient set of poems.
The "Li Sao" ("On Encountering Trouble"), the most famous Chuci poem, is usually interpreted as describing ecstatic flights and trance techniques of Chinese shamans. The above three poems are variations describing Daoist xian. Some other Chuci poems refer to immortals with synonyms of xian.
Wen Yiduo—a socialist poet and scholar later executed by the Chinese Nationalist Party—wrote in his Mythology & Poetry that, "although Qu Yuan did not write about the life of the people or voice their sufferings, he may truthfully be said to have acted as the leader of a people's revolution and to have struck a blow to avenge them. Qu Yuan ...
During the revolution, suicide squads were formed by Chinese students going into battle, knowing that they would be killed fighting against overwhelming odds. [2] The 72 Martyrs of Huanghuagang died in the uprising that began the Wuchang Uprising, and were recognized as heroes and martyrs by the Kuomintang party and the Republic of China. [3]
The Chu Ci, variously translated as Verses of Chu, Songs of Chu, or Elegies of Chu, is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period, as well as a large number of works composed during the Han dynasty several centuries later.
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The Li Sao helped set the tone for other poems of the Chuci, which also allude to this type of mythical geography. In the "Li Sao", Qu Yuan, on a spiritual journey, which he describes as being pulled in a chariot by winged dragons, leaves the Ford of Heaven in the morning and reaches Kunlun by nightfall. On the way, in line 350 of the "Li Sao ...