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"Moondance" is one of the moon-themed songs used in An American Werewolf in London, a comedy-horror film released in 1981. [16] It is heard during the sex scene between David Naughton (as David, the young man bitten by a werewolf) and Jenny Agutter (as Alex, his nurse and eventual girlfriend).
An American Werewolf in London was released in the US by Universal Pictures on August 21, 1981. It was a critical and commercial success, winning the 1981 Saturn Award for Best Horror Film and makeup artist Rick Baker winning the inaugural Academy Award for Best Makeup. Since its release, it has become a cult classic. [7] A sequel, An American ...
"Mouth" is a song by British band Bush from their 1996 second album Razorblade Suitcase. Though its original version was not released as a single, it was remixed by Bush under the pseudonym "The Stingray" for the 1997 remix album Deconstructed and was released as a single on 7 October 1997, due largely in part to it being featured prominently in both the trailer and the 1997 film An American ...
A soundtrack for An American Werewolf in Paris was released on CD and cassette tape through Hollywood Records on September 23, 1997. It featured music from artists such as Bush, Better Than Ezra, and Cake. [30]
Deconstructed is a remix album by British band Bush, released on 11 November 1997, through Trauma Records.It did not feature any new material but was a collaborative effort between the band and various producers working in the electronic genre of music to remix some of the band's previously released songs.
And in “An American Werewolf in London,” when David Naughton stared at his mutating hand, practical effects, at that moment, wanted to be digital.
Steven C. Miller has directed a movie with a concept that is, simply put, fuckin’ cool. “Werewolves,” written by Matthew Kennedy and now in theaters via Briarcliff Entertainment, is about a ...
"Werewolves of London" is a song recorded by American singer-songwriter Warren Zevon, written by Zevon, LeRoy Marinell and Waddy Wachtel. It first appeared on Excitable Boy (1978), Zevon's third studio album, then it was released as a single by Asylum Records in March 1978, becoming a Top 40 US hit, the only one of Zevon's career, reaching No. 21 on the US Billboard Hot 100 in May.