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Like many hymns, Love Divine is loosely Trinitarian in organization: Christ is invoked in the first stanza as the expression of divine love; the Holy Spirit in the second stanza as the agent of sanctification; the Father in the third stanza as the source of life; and the Trinity (presumably) in the final stanza as the joint Creator of the New ...
The second stanza surrenders worldly pleasures, and the third prays to "feel the Holy Spirit". Stanza four asks to be filled with Jesus's love, power, and blessing. In the fifth stanza, the singer feels "the sacred flame" – an image of the Holy Spirit – and the joy of "full salvation" born of surrender. [8]
Hymn books commonly omit the second stanza, [5] which is described as an optional verse in the originally published version. [2] In Salvation Army hymn books, the line "God the mighty Maker" in stanza four is changed to "Christ the mighty maker". [5] As well as the refrain included by Ralph E. Hudson, other hymn books have added a chorus to the ...
Oscar C. Eliason (January 6, 1902 – March 1, 1985) was a Swedish American clergyman, who served as a pastor and evangelist in the Assemblies of God, and was a prolific poet and composer, who composed over 50 hymns and gospel songs, including A Name I Highly Treasure and the popular Got Any Rivers?, which influenced another song, God Specializes, commonly regarded as one of the foundational ...
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Johann Sebastian Bach's chorale cantata cycle is the year-cycle of church cantatas he started composing in Leipzig from the first Sunday after Trinity in 1724. It followed the cantata cycle he had composed from his appointment as Thomaskantor after Trinity in 1723.
It shows two contrary types of love. The poem is written in three stanzas. [2] The first stanza is the clod's view that love should be unselfish. The soft view of love is represented by this soft clod of clay, and represents the innocent state of the soul, and a childlike view of the world. [2] The second stanza connects the clod and the pebble.
The first stanza is an anonymous translation of the Latin antiphon for Pentecost "Veni Sancte Spiritus, reple tuorum corda fidelium" (Come, Holy Spirit, fill the hearts of your faithful) from the 11th century. The German version appeared with the current tune in Ebersberg in c. 1480.