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The harmonic seventh chord is a dominant seventh chord formed by a major triad plus a harmonic seventh interval. The harmonic seventh interval is a minor seventh tuned in the 7:4 pitch ratio, one of the possible "just ratios" defined for this interval in just intonation (slightly below the width of a minor seventh as tuned in equal temperament ...
Before the Renaissance, mathematics was divided into two main areas: arithmetic, regarding the manipulation of numbers, and geometry, regarding the study of shapes. [7] Some types of pseudoscience, such as numerology and astrology, were not then clearly distinguished from mathematics. [8] During the Renaissance, two more areas appeared.
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭ 3, 5, ♭ 7). In other words, one could think of it as a minor triad with a minor seventh attached to it. [2] For example, the minor seventh chord built on A, commonly written as A− 7, has pitches A-C-E-G:
3-limit 9:8 major tone Play ⓘ. 7-limit 8:7 septimal whole tone Play ⓘ. Septimal major second on B7 ♭ Play ⓘ. In music, the septimal whole tone, septimal major second, [2] supermajor second, [3] [4] or septimal supermajor second play ⓘ is the musical interval exactly or approximately equal to an 8/7 ratio of frequencies. [5]
For example, the interval from A 3 to G 4 is a minor seventh, as the note G 4 lies ten semitones above A 3, and there are seven staff positions from A 3 to G 4. Diminished and augmented sevenths span the same number of staff positions, but consist of a different number of semitones (nine and twelve, respectively).
In epidemiology, a rate ratio, sometimes called an incidence density ratio or incidence rate ratio, is a relative difference measure used to compare the incidence rates of events occurring at any given point in time. It is defined as:
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