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"Trance" is a song by American record producer Metro Boomin and American rappers Travis Scott and Young Thug, from Metro's second studio album Heroes & Villains (2022). It was produced by Metro Boomin and Allen Ritter, with violin performances from Peter Lee Johnson.
"Cinderella" is a song written and performed by American rapper Future and American record producer Metro Boomin with fellow American rapper and singer Travis Scott. It was released through Freebandz (under the business name Wilburn Holding Co.), Boominati Worldwide , Epic Records , and Republic as the ninth track from the former two's ...
Heroes & Villains (stylized in all caps) is the second studio album by American record producer Metro Boomin. It was released through Republic Records and Boominati on December 2, 2022. The album contains guest appearances from John Legend , Future , Chris Brown , Don Toliver , Travis Scott , 21 Savage , Young Nudy , Young Thug , the Weeknd ...
Picking his proudest moment from the past year is not easy for Metro Boomin. ... Travis Scott and 21 Savage, “Heroes” became his third album to top the Billboard 200. It spawned his highest ...
"Overdue" is a song by American record producer Metro Boomin featuring American rapper Travis Scott from the former's debut studio album Not All Heroes Wear Capes (2018). With additional production from Milan Beker, the song samples the Berlin Breakdown Version of "Anthonio" by Annie, from the 2014 film The Guest.
"Née-Nah" is a song by British-American rapper 21 Savage, American rapper and singer Travis Scott, and American record producer Metro Boomin. It was sent to US rhythmic radio through Slaughter Gang and Epic Records as the second and final single from the former's third studio album, American Dream, on January 23, 2024. [1]
But Future, Playboi Carti and Travis Scott tamp out Metro’s fire, and a track that could’ve been great is merely good. This same thing happens to the producer on several other occasions.
“Type Sh-t," Future & Metro Boomin ft. Travis Scott & Playboi Carti. In the 2010s, Atlanta became a hotbed for building hits out of words and phrases that could be melodically or percussively ...