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William Nicholson (1782–1849) was a Scottish poet, born in the village of Borgue in Kirkcudbrightshire.He was also known variously as "The Bard of Galloway", the itinerant singer and "pedlar-poet", or "Wandering Wull".
The poem is typically understood as a mix of hippie counterculture, with its desire for leisure and a return to nature, with Cold War-era technological visions. [ 5 ] [ 6 ] [ 7 ] Brautigan's publisher, Claude Hayward, said it "caught me with its magical references to benign machines keeping order ...
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Her first poetry collection was published in 1938. At Oxford, Stanley-Wrench met the poet Keith Douglas, who became a friend. [8] She continued to write poetry, but after the war became better known as a children's writer. Her work was included in New Poems 1965, edited by Clifford Dyment. [9]
Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
The poem is a narrative made up of four six-line stanzas, known as sestets. Poe uses the term shadow in the middle of each stanza. The meaning of the word, however, changes with each use. First, it is a literal shadow, where the sun is blocked out. In the second, it implies gloom or despair. The third denotes a ghost.
Donald E. Thackrey referred to "There's a certain Slant of light" as one of Dickinson's best lyric poems for its force of emotion but resistance to definitive statements on meaning. [14] He likened it to Keats's "Ode to Melancholy," claiming that although it is less specific, it transmits the experience of the emotion just as effectively. [14]
In the poem, Robert I's character is a hero of the chivalric type common in contemporary romance, Freedom is a "noble thing" to be sought and won at all costs, and the opponents of such freedom are shown in the dark colours which history and poetic propriety require, but there is none of the complacency of the merely provincial habit of mind.