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For the series of Bond novels, Fleming realised that without threatening villains Bond seemed less heroic: this tradition of strong literary villain was brought across to the screen in the Eon series. [114] The third Bond film, Goldfinger, set a pattern for having a main villain with a loyal and dangerous henchman, [115] a model which was ...
Another example from modern American literature is the green light found in the novel The Great Gatsby by F. Scott Fitzgerald. Narratives may include multiple motifs of varying types. In Shakespeare's play Macbeth, he uses a variety of narrative elements to create many different motifs. Imagistic references to blood and water are continually ...
Said to be innovated by Euripides for his play Cyclops, it wasn't wildly popular until the late 19th century with the rise of film. Alice Guy-Blaché made a comment about it in the documentary Be Natural: The Untold Story of Alice Guy-Blaché, where she commented that many of the films of the time required a quick punchline at the end.
Leitmotif associated with Siegfried's horn call in Richard Wagner's 1876 opera, Siegfried. A leitmotif or Leitmotiv [1] (/ ˌ l aɪ t m oʊ ˈ t iː f /) is a "short, recurring musical phrase" [2] associated with a particular person, place, or idea.
A list of motion pictures related by some criteria, e.g. the list of films a certain actor has appeared in, or that a certain director has directed. filter fine cut fisheye lens flashback flashforward flicker fusion threshold floodlight focal length focus focus puller Foley artist follow focus follow shot followspot light forced perspective
List of feature film series with 11 to 20 entries; List of feature film series with 21 to 30 entries; A. List of theatrical animated short film series; I.
Hedwig's Theme" is the leitmotif for the film series. [4] Often labelled as the series's main theme, it first appeared in Harry Potter and the Philosopher's Stone in the track "Prologue". A concert arrangement of the same name is included in the end credits.
The first act is usually used for exposition, to establish the main characters, their relationships, and the world they live in.Later in the first act, a dynamic, on-screen incident occurs, known as the inciting incident, or catalyst, that confronts the main character (the protagonist), and whose attempts to deal with this incident lead to a second and more dramatic situation, known as the ...