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The song was first published in William Eleazar Barton's 1899 Old Plantation Hymns [1] but was described in writings prior to this publication. [2] [3] [4] In 1940, it was included in the Episcopal Church hymnal, making it the first spiritual to be included in any major American hymnal.
The hymn "When I Survey the Wondrous Cross" was written by Isaac Watts, and published in Hymns and Spiritual Songs in 1707. It is significant for being an innovative departure from the early English hymn style of only using paraphrased biblical texts, although the first couplet of the second verse paraphrases Galatians 6:14a and the second couplet of the fourth verse paraphrases Gal. 6:14b.
"Alas! and Did My Saviour Bleed" is a hymn by Isaac Watts, first published in 1707. The words describe the crucifixion of Jesus and reflect on an appropriate personal response to this event. The hymn is commonly sung with a refrain added in 1885 by Ralph E. Hudson; when this refrain is used, the hymn is sometimes known as "At the Cross". The ...
James Milton Black (19 August 1856 – 21 December 1938) was an American composer of hymns, choir leader and Sunday school teacher. [1] Black was born in South Hill, New York, but worked, lived and died in Williamsport, Pennsylvania. It is there that he worked at his Methodist Episcopal Church. His first hymnal collections were:
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
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"There Is a Balm in Gilead" is a traditional African American spiritual dating back to at least the 19th century. Its refrain appears in Washington Glass's 1854 hymn "The Sinner's Cure", although the hymn is substantially based on an earlier work by John Newton. The Clark Sisters recorded a version of "Balm in Gilead" in 1986.