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A cue is some organization of the data present in the signal which allows for meaningful extrapolation. For example, sensory cues include visual cues, auditory cues, haptic cues, olfactory cues and environmental cues. Sensory cues are a fundamental part of theories of perception, especially theories of appearance (how things look).
Unsurprisingly, logographic cues tend to be processed in the right brain hemisphere, the side more actively engaged with visuospatial input. Due to advances in technology and the media where logographic cues such as brand logos abound, the ability and tendency to draw meaning from pictures has become more widespread and intuitive. [citation needed]
Such lanyards are often made of braided or woven fabric or split with a clip attached to the end. A plastic pouch or badge holder with at least one clear side is attached to the lanyard with the person's name badge or ID card. Occasionally, small items like business cards, pens or tools can be placed behind the badge for easy access.
A cue mark, also known as a cue dot, a cue blip, a changeover cue [a] or simply a cue, is a visual indicator used with motion picture film prints, usually placed in the upper right corner of a film frame. [1] Cue dots are also used as a visual form of signalling on television broadcasts.
On Friday, Nov. 29, the actress revealed she recently came face-to-face with a group of construction workers holding up cue cards – just like her costar Andrew Lincoln did in Love Actually.
Cue cards were originally used to aid aging actors. One early use was by John Barrymore in the late 1930s. Cue cards did not become widespread until 1949 when Barney McNulty, [3] a CBS page and former military pilot, was asked to write ailing actor Ed Wynn's script lines on large sheets of paper to help him remember his script. McNulty ...
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