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Amy Qin described his thicket-filled abstract landscapes as "haunting". [7] Darryl Wee wrote that the 2011 exhibition of works by Zeng at the Gagosian Gallery 's Hong Kong branch was the highlight, referring to Man and Meat (1993) as "a disquieting allegory of frenzied, winner-take-all capitalism in contemporary China."
Houses at l'Estaque (French: Maisons à l'Estaque, or Maisons et arbre) is an oil-on-canvas painting by Georges Braque executed in 1908. It is considered either an important Proto-Cubist landscape [2] or the first Cubist landscape. [3] The painting prompted art critic Henri Matisse to mock it as being composed of cubes which led to the name of ...
They show vast, abstract landscapes, mostly in a tightly limited palette of colors, only occasionally showing flashes of contrasting color accents. Typically, these alien landscapes are populated with various abstract shapes, sometimes angular and sharp as shards of glass, sometimes with an intriguingly organic look to them, like giant amoebae ...
Mountains and Sea is a 1952 painting by American abstract expressionist painter Helen Frankenthaler. [2] [3] Painted when Frankenthaler was 23 years old, it was her first professionally exhibited work. [4] Though initially panned by critics, Mountains and Sea later became her most influential and best known canvas. [5] [6]
Based on the aerial landscape and perhaps the view from his studio window, these large-scale abstract compositions were named after a community in Santa Monica, where he had his studio. [28] Diebenkorn retired from UCLA in 1973. The Ocean Park series bridged his earlier abstract expressionist works with color field painting and lyrical abstraction.
Landscape with Yellow Field: Lenbachhaus, Munich 29.8 x 44.5 More images: 1905 Russian beauty in a landscape [4] Lenbachhaus, Munich 41.5 x 28.8 Tempera on board More images: 1906 Saint-Cloud Park, Shaded Path: Musée National d'Art Moderne, Paris 48 x 65 Oil paint on canvas More images: 1906 Rapallo, Stormy Sea: Musée National d'Art Moderne ...
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