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For example, after is a preposition in "he left after the fight" but a conjunction in "he left after they fought". In general, a conjunction is an invariant (non-inflecting) grammatical particle that stands between conjuncts. A conjunction may be placed at the beginning of a sentence, [1] but some superstition about the practice persists. [2]
For example, in the sentence "She likes apples and oranges", the coordinator and connects two elements (apples and oranges) of equal importance. In contrast, in the sentence "She knew that he was lying", the subordinator that marks the clause "he was lying" as subordinate to the main clause "She knew".
Various sentences using the syllables mā, má, mǎ, mà, and ma are often used to illustrate the importance of tones to foreign learners. One example: Chinese: 妈妈骑马马慢妈妈骂马; pinyin: māma qí mǎ, mǎ màn, māma mà mǎ; lit. 'Mother is riding a horse... the horse is slow... mother scolds the horse'. [36]
Only sentences with a noun as the complement (e.g., "This is my sister") use the copular verb "to be": 是; shì. This is used frequently; for example, instead of having a verb meaning "to be Chinese", the usual expression is "to be a Chinese person" (我 是 中国人; 我 是 中國人; wǒ shì Zhōngguórén; lit.
A transition or linking word is a word or phrase that shows the relationship between paragraphs or sections of a text or speech. [1] Transitions provide greater cohesion by making it more explicit or signaling how ideas relate to one another. [1]
A less trivial example of a redundancy is the classical equivalence between and . Therefore, a classical-based logical system does not need the conditional operator " → {\displaystyle \to } " if " ¬ {\displaystyle \neg } " (not) and " ∨ {\displaystyle \vee } " (or) are already in use, or may use the " → {\displaystyle \to } " only as a ...
Twenty-three child sex offenders had their sentences increased in England and Wales last year, new figures show. Under the Unduly Lenient Sentence Scheme, anyone can ask for a crown court sentence ...
Parataxis (from Greek: παράταξις, "act of placing side by side"; from παρα, para "beside" + τάξις, táxis "arrangement") is a literary technique, in writing or speaking, that favors short, simple sentences, without conjunctions or with the use of coordinating, but not with subordinating conjunctions.