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The media for CD-RW has the same layers as CD-R media. The reflective layer is, however, a silver-indium-antimony-tellurium alloy with a polycrystalline structure and reflective properties in its original state. When writing the laser beam uses its maximum power (8-14 mW) [6] to heat the material to 500–700 °C causing material liquefaction.
As of 2021, multiple consumer-oriented, optical-disk media formats are or were available: Compact Disc ("CD"): digital audio disc CD-R: write once read many (WORM) CD; CD-RW: rewriteable CD; DVD: digital video disc DVD-R: WORM DVD defined by the DVD Forum; DVD-RW: rewritable DVD defined by DVD Forum; DVD+R: WORM DVD defined by the DVD+RW Alliance
The preservation of optical media is essential because it is a resource in libraries, and stores audio, video, and computer data. While optical discs are generally more reliable and durable than older media types, (magnetic tape, LPs and other records) environmental conditions and/or poor handling can result in lost information.
DVD recordable and DVD rewritable are a collection of optical disc formats that can be written to by a DVD recorder and by computers using a DVD writer.The "recordable" discs are write-once read-many (WORM) media, where as "rewritable" discs are able to be erased and rewritten.
Various forms of optical media, mostly disk form, competed with magnetic recording through most of the 1960s and 70s, but never became widely used. It was the introduction of semiconductor lasers that provided the technology needed to make optical storage more practical in both storage density and cost terms.
Retail recordable/writable optical media contain dyes in/on the optical media to record data, whereas factory-manufactured optical media use physical "pits" created by plastic molds/casts. As a result, data storage on retail optical media does not have the life-span of factory-manufactured optical media.
The Variable Media Questionnaire is a free web service that allows new media curators and repositories to share the most effective strategies of preservation for different forms of new media art. It focuses particularly on creating guidelines for preserving the art once the original medium or software is not available. [ 13 ]
Storage – Keeping time-based media art in a controlled environment is an example of storage of time-based media art. [29] Overall storage is the most basic and used museum strategy. [29] Storage of time-based media includes the storage and preservation of the equipment for types of media that uses it to display. [29]