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Classical album composed for a dance drama on Lord Shiva choreographed by dancer Krithika Subramaniam, with 10 songs on the CD, collected from Thiruvasagam, Thevaram, Nandanar Charitham, Adi Sankara's Ardhanarishwara Ashtakam among other devotional hymns dedicated to Shiva.
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu. Nambiyandar Nambi compiled the first seven volumes by Appar, Sambandar, and Sundarar as Tevaram during the 12th century.
As the legend goes, Thiruvasagam is the only work which is signed as well as written by Shiva in guise of a Tamil man when narrated by Manikkavasagar. The poet chased the writer but without success but the palm leaf manuscript had been seen inside the locked sanctum sanctorum of Thillai Nataraja with the Lord's signature.
When Shiva was seated under the shade of a banyan tree, in Kailasa, instructed the rishis about the greatness of the six-headed son of Shiva (Kartikeya) called and implored to be taught the eight forms of prayer. Shiva told them to reverence Parvati, and then they would learn the prayers well.
Shaiva Siddhanta (IAST: Śaiva-siddhānta) [1] [2] is a form of Shaivism popular in a pristine form in South India and Sri Lanka and in a Tantrayana syncretised form in Indonesia (as Siwa Siddhanta [3]) propounds a devotional philosophy with the ultimate goal of experiencing union with Shiva.
Kanda Sashti Kavasam or Skanda Shashti Kavacham (Tamil: கந்த சஷ்டி கவசம்) is a Hindu devotional song composed in Tamil by Devaraya Swamigal (born c. 1820), [1] a student of Meenakshi Sundaram Pillai, on Murugan, the son of Shiva, in Chennimalai near Erode. It was composed in the 19th century. [2]
The Tirumurukarruppatai was likely included in this corpus for god Shiva, because Murugan is one of his sons and the historic reverence for the text. [7] The text is part of these two anthologies, but in some Tamil Hindu communities, the Tirumurukarruppatai manuscripts are found as a separate text, on its own, as a devotional guide. [7]
The Tevaram hymns are set to 23 of the 103 pan scale modes of Ancient Tamil music, and they are meant to be sung while accompanied with a stringed musical instrument such as the Tamil yal. [58] Professional singing of the Tevaram hymns at large Shiva temples has been a Tamil tradition since at least the 11th century. [58]
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