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Statue of Mary with a simple red gown with a green girdle belt and a braided hairstyle, circa 1410. Italian headdresses. The woman on the left wears a veil twisted into a turban. The woman on the right has her hair held in a long, thick braid encased in sheer fabric and twisted around her head. Her simple gown laces up the front with a single ...
Italian fashion of this period features broad bands of embroidered or woven trim on the dress and around the sleeves. [31] Siena, c. 1340. A bride wears a long fur-lined gown with hanging sleeves over a tight-sleeved kirtle, with a veil. Her gown is trimmed with embroidery or (more likely) braid.
From the Middle Ages, Italian fashion has been popular internationally, with cities in Italy producing textiles like velvet, silk, and wool. During the Middle Ages and Renaissance, Italian fashion for both men and women was extravagant and expensive, but the fashion industry declined during the industrialization of Italy. Many modern Italian ...
The high-waisted gown of the late medieval period evolved in several directions in different parts of Europe. In the German states and Bohemia, gowns remained short-waisted, tight-laced but without corsets or stays. The open-fronted gown laced over the kirtle or a stomacher or plackard. Sleeves were puffed and slashed, or elaborately cuffed.
Women wore linen headdresses or wimples and veils, c. 1250. Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.
La velata, or La donna velata ("The woman with the veil"), is a well known portrait by the Italian Renaissance painter Raffaello Sanzio, more commonly known as Raphael.The subject of the painting appears in another portrait, La Fornarina, and is traditionally identified as the fornarina (bakeress) Margherita Luti, Raphael's Roman mistress.
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