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Neo-Marxism is a collection of Marxist schools of thought originating from 20th-century approaches [1] [2] [3] to amend or extend [4] Marxism and Marxist theory, typically by incorporating elements from other intellectual traditions such as critical theory, psychoanalysis, or existentialism.
Similar to this, within media studies the central mediating factor of a given culture is the medium of communication itself. The popular conception of mediation refers to the reconciliation of two opposing parties by a third, and this is similar to its meaning in both Marxist theory and media studies.
The other view follows what Smith and Marx (1998) [19] dictate as "soft" determinism, where the development of technology is also dependent on social context, affecting how it is adopted into a culture, "and, if the technology is adopted, the social context will have important effects on how the technology is used and thus on its ultimate impact".
Whilst these theorists come from a broad range of traditions, included but not limited to the Black Radical Tradition, Eco-socialism, Maoism, Neo-Marxism, post-Marxism and Autonomist/Open Marxism, what they all tend to have in common is a critique of past socialist experiments, and a re-orientation of the revolutionary subject. [44]
Critical consciousness, conscientization, or conscientização in Portuguese (Portuguese pronunciation: [kõsjẽtʃizaˈsɐ̃w]), is a popular education and social concept developed by Brazilian pedagogue and educational theorist Paulo Freire, grounded in neo-Marxist critical theory. Critical consciousness focuses on achieving an in-depth ...
Fordism was the techno-economic paradigm of the fourth Kondratiev wave, and post-Fordism is thus the techno-economic paradigm of the fifth, which is dominated by information and communication technology. Notable Neo-Schumpeterian thinkers comprise Carlota Perez and Christopher Freeman, as well as Michael Storper and Richard Walker.
Marxist literary criticism is a loose term describing literary criticism based on socialist and dialectic theories. [153] Marxist criticism views literary works as reflections of the social institutions from which they originate. According to Marxists, even literature is a social institution with a specific ideological function based on the ...
Marxism remains a powerful theory in some unexpected and relatively obscure places and is not always properly labeled as "Marxism". For example, many Mexican and some American archaeologists still employ a Marxist model to explain the Classic Maya collapse [101] (c. 900 A.D.) – without mentioning Marxism by name.