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Fernando Yáñez de la Almedina, Spanish Renaissance art whose works were often religious [621] [622] [623] Francisco Tito Yupanqui, known for Marian statues such as Virgin of Copacabana; [624] [625] [626] there is an effort to have him beatified [627] [628] [629] Marcos Zapata, like many of the Cuzco School, his works dealt with religious ...
Ecstasy of Saint Cecilia Between Saints Paul, John Evangelist, Augustine and Mary Magdalene: Pinacoteca Nazionale di Bologna, Italy: Oil on panel transferred to canvas 236 x 139 c. 1515: Portrait of Bindo Altoviti: National Gallery of Art, Washington, United States: Oil on panel 59,7 x 43,8 1515–1516: Christ Falls on the Way to Calvary
The San Marco Altarpiece (also known as Madonna and Saints) is a painting by the Italian early Renaissance painter Fra Angelico, housed in the San Marco Museum of Florence, Italy. It was commissioned by Cosimo de' Medici the Elder , and was completed sometime between 1438 and 1443.
The two paintings that make up this diptych are both done in an Northern Renaissance style and are the last of Dürer's largescale works. [1] Each panel is 215 cm x 76 cm and features two figures standing in each panel. [2] Saints John and Peter are depicted in the left panel; the figures in the right panel are Saints Mark and Paul.
Paintings of Saints Cosmas and Damian (10 P) D. Paintings of Saint Dominic (28 P) E. ... Paintings of John the Baptist (1 C, 248 P) Paintings of Saint Joseph (5 C, 39 P)
Paintings of male saints (42 C) M. Paintings of saints by Bartolomé Esteban Murillo (12 P) Pages in category "Paintings of saints" The following 52 pages are in this ...
Annalena Altarpiece with predella by Fra Angelico, c. 1438–40 (frame removed), sometimes considered the "first" instance of the sacra conversazione format [1]. In art, a sacra conversazione (Italian: [ˈsaːkra koɱversatˈtsjoːne]; plural: sacre conversazioni), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and ...
The polychrome floor, and the architecture, including the base of the Madonna's throne, is depicted with the use of geometrical perspective, an innovation introduced in Italian early Renaissance art. [2] The saints portrayed are St John the Baptist and St Zenobius (patron saints of Florence), St Lucy (titular of the church where the painting ...
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