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"Superhero (Heroes & Villains)" is a trap song that features "pummeling 808s and muted horns" in the production, over which Future raps in his "customary, chant-like flow", [1] and style similar to "the days of DS2" [2] In the latter portion, the instrumental "fades into somber synths", for "distorted melodies" from Chris Brown, [1] who sings about people who do not want to see him succeed. [3]
"Walk Em Down (Don't Kill Civilians)" is a song by American record producer Metro Boomin and Atlanta-based rapper 21 Savage featuring Canadian poet and singer Mustafa from the former's second studio album Heroes & Villains (2022). It was produced by Metro, Honorable C.N.O.T.E., Peter Lee Johnson, and Simon on the Moon.
The lawsuit also refers to the lyrics of a song "Rap Saved Me" by 21 Savage, Offset, Metro Boomin and Quavo, which include the lines: “She took a Xanny, then she fainted/ I’m from the gutter, ain’t no changing/ From the gutter, rap saved me/ She drive me crazy, have my baby.” The woman believes the lyrics recount the alleged assault and ...
On November 2, 2018, Metro released his debut studio album, Not All Heroes Wear Capes. The album debuted and peaked atop the Billboard 200, giving Metro his first chart-topping project. On October 2, 2020, Metro released a collaborative album with 21 Savage titled Savage Mode II, a sequel to their 2016 EP.
Heroes & Villains (stylized in all caps) is the second studio album by American record producer Metro Boomin. It was released through Republic Records and Boominati on December 2, 2022. The album contains guest appearances from John Legend , Future , Chris Brown , Don Toliver , Travis Scott , 21 Savage , Young Nudy , Young Thug , the Weeknd ...
"Raindrops (Insane)" is a song by American record producer Metro Boomin and American rapper Travis Scott from the former's second studio album Heroes & Villains (2022). It was produced by Metro, Honorable C.N.O.T.E. , Allen Ritter , David x Eli and Scriptplugg.
Hamza Riaz of Mic Cheque wrote in a review of Heroes & Villains, "There's no sensational beat that holds a candle to production like Without Warning's "Rap Saved Me" or the layers of "Don't Come Out the House", bringing up the "first twenty seconds" of "Umbrella" as one of the "closest moments" but also stating that the production "should have returned at some point in the song".
The song was generally positively received. Brady Brickner-Wood of Pitchfork wrote, "Few artists melodically thrive over a Metro beat like Don Toliver, who delivers two of the album's more magnetic vocal performances on 'Too Many Nights' and 'Around Me.'" [3] Robert Blair of HotNewHipHop wrote, "Among the typically exhilarating turns from his tried-and-tested platoon of talent, Don Toliver is ...