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Aging is a process by which an artwork, typically a painting or sculpture, is made to appear old. It is meant to emulate the natural deterioration that can occur over many decades or centuries. Although there may be "innocent" reasons for it, ageing is a technique very often used in art forgery. [1]
Storage of acrylic paintings should be clean and free of dust and heat – below room temperature is best as it will reduce further softening of the top layer of the paint. Exposing acrylic paintings to temperatures ranging near sub zero will cause damaging cracking. Acrylic paint is highly susceptible to mold growth.
Wood shelving is a more economical option but the wood must be sealed to prevent the emission of acids and volatiles. The most recommended coating is moisture-borne polyurethane. Paints such as two-part-epoxy, latex, and acrylic can also be used, but they vary in their effectiveness and ease of use.
High Humidity reduces mechanical damage such as brittle paint but raises the risks of biological organisms, e.g. white efflorescence and green-to-black stains on a panel painting. [12] High Humidity also raises the risks of curving or warping of the wood over time, forcing the paint to flake off.
A table given a distressed finish, with a historical paint colour, edges that have been sanded down to expose the wood, and vintage hardware attached to the drawers. Distressing (or weathered look ) in the decorative arts is the activity of making a piece of furniture or object appear aged and older, giving it a "weathered look".
Example of a cradled panel, mounted on the back of a painting by Aert van der Neer Example of an oak panel in its original state, the back of a Jan Davidsz. de Heem still life. Cradling is a process used in the restoration and preservation of paintings on wooden panel .
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Fluid paint, in general, is a moveable form of acrylic paint. Fluid paints can be used like watercolors, for acrylic pouring, or for glazing and washes. To create a more fluid consistency, water or a pouring medium is added to the paint. The ratio of paint to water/pouring medium depends on how thick the glaze or pouring paint is expected to be.
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