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Medieval miniature of Frederick II, Holy Roman Emperor.Useful as a historical document, even if it tells us nothing about what he really looked like. While most historical cultures didn't produce actual portraits, many did produce other kinds of depictions of individual persons, such as depictions of rulers on ancient coins, miniatures in medieval bookpainting etc.
Image credits: ThatsHistory "Visual images like portrait paintings, prints, maps, and old photographs can help us understand what the world looked like in the past," historian Liz Covart tells ...
In literary and historical analysis, presentism is a term for the introduction of present-day ideas and perspectives into depictions or interpretations of the past. Some modern historians seek to avoid presentism in their work because they consider it a form of cultural bias, and believe it creates a distorted understanding of their subject matter. [1]
Thucydides, unlike Herodotus, regarded history as being the product of the choices and actions of human beings, and looked at cause and effect, rather than as the result of divine intervention. [7] History developed as a popular form of literature in later Greek and Roman societies in the works of Polybius, Tacitus and others.
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Human history is the record of humankind from prehistory to the present. Modern humans evolved in Africa around 300,000 years ago and initially lived as hunter-gatherers.They migrated out of Africa during the Last Ice Age and had spread across Earth's continental land except Antarctica by the end of the Ice Age 12,000 years ago.
Not really history, as both are still relevant, but they are a lot less so these days: ... Also, most people doing the work were far from qualified to do the work, they were just slightly better ...
William Shakespeare [a] wrote plays about people who were historical figures in his day, such as Julius Caesar. He did not present these people as pure history, but dramatised their lives as a commentary about the people and politics of his own time. [51] Napoleon figured in Victor Hugo's 1862 classic Les Misérables. [52] There are many more ...