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"Bus Stop" is a song recorded and released as a single by the British rock band the Hollies in 1966. It reached No. 5 in the UK Singles Chart. [6] It was the Hollies' first US top ten hit, [7] reaching No. 5 on the Billboard charts in September 1966. In Canada the song reached No. 1 and was their second top ten hit there.
Bus Stop is the fourth U.S. album by the British pop band the Hollies, released on Imperial Records in mono (LP-9330) and rechanneled stereo (LP-12330) in October 1966. It features songs ranging from both sides of the band's then-current hit single to material recorded in the Hollies' early days on the UK's Parlophone Records in 1963, 1964 and 1965.
"The Bus Stop Song" (also known as "A Paper of Pins") is a popular song. The title references the movie, Bus Stop, in which it was introduced.. A traditional song, it was orchestrated by Ken Darby in 1956 but a version (called The Keys of Canterbury) was known in the 19th century and Alan Lomax collected it as "A Paper of Pins" in the 1930s.
The band released the albums Let's Do It Again, People Music, and Feel My Soul before signing to Event Records in 1974. [3] In the mid-1970s, the band incorporated jazz elements and moved more towards a disco sound resulting in the singles, "Keep On Steppin'", "Yum, Yum (Give Me Some)", and "(Are You Ready) Do the Bus Stop". The singles proved ...
"Bus Stop" (song), a 1966 single by The Hollies "The Bus Stop Song", a 1956 single by The Four Lads, used as the intro song for the 1956 film Bus Stop "(Are You Ready) Do The Bus Stop", a 1975 single by Fatback Band, also known as "Do the Bus Stop"
"Everyday at the Bus Stop" is Tomoko Kawase's first single under Tommy February 6, name that is associated with her birthday (February 6), [1] and the first single that was done independent of The Brilliant Green. Some editions come with a promotional DVD. The song peaked at #12 on Oricon charts and stayed on the charts for 12 weeks.
"Stop Stop Stop" is a song by British pop group the Hollies [2] that was written by group members Allan Clarke, Tony Hicks, and Graham Nash. The song was the band's first to credit Clarke, Nash and Hicks as songwriters, as all their previous original songs had been published under the collective pseudonym "L. Ransford" (or simply "Ransford").
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