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Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), [1] BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.
It is structured in three movements, corresponding to the three stanzas of the hymn. The first movement is an extended chorale fantasia, the second develops motifs from the first movement, the third includes a quotation of his fathers's closing choral chorale from his cantata Wachet auf, ruft uns die Stimme, BWV 140. [5]
Norwegian-American composer F. Melius Christiansen composed a famous a capella choral arrangement of the hymn in 1925, titled "Wake, Awake" in English. Hugo Distler composed an organ partita based on the hymn in 1935 (Op. 8/2). The following example is the final movement of Bach's cantata, a four-part setting of the final stanza:
"Sleepers Awake", English name for the hymn "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai "Sleepers awake", English name for the chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 (1731), by Johann Sebastian Bach, based on Nicolai's hymn; The Sleeper Awakes (1910), dystopian novel by H. G. Wells about a man who sleeps for ...
Bach's Nekrolog mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), [1] which would amount to at least 275 cantatas, [2] or over 320 if all cycles would have been ideal cycles. [3]
Shop the best loud alarm clocks for heavy sleepers on Amazon and more that are recommended by our editor, who tested several of them, and a sleep psychologist. 7 Best Alarm Clocks for Heavy ...
The late church cantatas by Johann Sebastian Bach are sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have ...
Magnificat, BWV 243a (early version without Christmas interpolations possibly first performed on 2 July 1723) Meine Seel erhebt den Herren, BWV 10 (chorale cantata: 1724) Meine Seele erhebet den Herrn (cantata text by an unknown librettist without extant composition by Bach: 2 July 1725, BDW 01672) [211]