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The A/V quality release is presented in its proper 1.85:1 theatrical aspect ratio, while the audio is Japanese 2.0 LPCM stereo (48 kHz/16 bit), with optional English subtitles are available.
Zatoichi at Large was released in Japan on 15 January 1972 where it was distributed by Toho. [1] It was released in the United States by Toho International with English subtitles in September 1973. [1] The film has been released under alternate titles, including The Blind Swordsman on a Mission. [1] The film was followed by Zatoichi in ...
Zatoichi (Japanese: 座頭市, Hepburn: Zatōichi) is a fictional character created by Japanese novelist Kan Shimozawa.He is an itinerant blind masseur and swordsman of Japan's late Edo period (1830s and 1840s).
The Tale of Zatoichi (Japanese: 座頭市物語, Hepburn: Zatōichi Monogatari) is a 1962 Japanese chanbara film directed by Kenji Misumi and based on the 1948 essay of the same name by Kan Shimozawa. It is the first installment in a long-running jidaigeki film series starring Shintaro Katsu as the blind swordsman Zatoichi. [1] [2]
The Second Zatoichi 二人座頭市 November 28, 1974 () 10 The Sumo Wrestler That Found His Home やぐら太鼓が風に哭いた December 5, 1974 () 11 The Whirlwind Of Kisoji 木曽路のつむじ風 December 12, 1974 () 12 Humanity And Justice やわ肌仁義 December 26, 1974 () 13
Miike Takashi × Aikawa Show: Zatoichi (三池崇史 × 哀川翔 『座頭市』), also known as Zatoichi Live, is a filmed stage production of Zatoichi, a play co-written by Takashi Miike and Masa Nakamura based on the character created by Kan Shimozawa. It was Miike's second filmed stage production, following Demon Pond in 2005. The stage ...
Zatoichi Goes to the Fire Festival (座頭市あばれ火祭り) is a 1970 Japanese Chambara film directed by Kenji Misumi and starring Shintaro Katsu, who also produced and co-wrote the script. It is the twenty-first of a series of films featuring the blind swordsman Zatoichi .
Zatoichi (座頭市, Zatōichi) (released in the US as The Blind Swordsman: Zatoichi) is a 2003 Japanese jidaigeki action film, directed, written, co-edited by and starring Takeshi Kitano ("Beat" Takeshi) in his eleventh directorial venture. [2]
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