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White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica , dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main ...
One example of a white-ground lekythos by the Thanatos Painter is a vase in the Art Walters Museum (440–430 BCE). [3] The women are mourning over a deceased family member. There is a male figure approaching from the right side of the lekythos that is unseen by the women. He is a representation of the deceased family member. [3]
Rubin's vase (sometimes known as the Rubin face or the figure–ground vase) is a famous example of ambiguous or bi-stable (i.e., reversing) two-dimensional forms developed around 1915 by the Danish psychologist Edgar Rubin.
Rubin's vase utilizes the concept of Negative space to create ambiguous images: the vase or two opposing faces. Ambiguous images or reversible figures are visual forms that create ambiguity by exploiting graphical similarities and other properties of visual system interpretation between two or more distinct image forms.
Sometimes further painting in other colours was added after firing, especially in white-ground and Hellenistic vases. However, new studies instead provide material evidence that the pottery was made with two or more separate firings [ 1 ] in which the pottery is subjected to multiple firing stages.
Tin-glazed pottery was taken up in the Netherlands from the 16th to the 18th centuries, the potters making household, decorative pieces and tiles in vast numbers, [51] usually with blue painting on a white ground. Dutch potters took tin-glazed pottery to the British Isles, where it was made between about 1550 and 1800.
The Affecter Amphora, in the collection of the Walters Art Gallery in Baltimore, Maryland, is a case study for the history of conservation of Greek vases. The black figured Attic (meaning from Athens region) vessel was created around 540 BCE by a well-documented vase painter known as the Affecter Painter. Treatment of the vase in the 1980s ...
Next to her stands a male figure, naked and winged. Both figures wear wreaths made of leaves and their hair preserve traces of golden paint. The features of their faces are stylized. The vase has a white ground and maintains in several parts the traces of bluish, greenish and reddish paint. It dates to the 4th century BC.
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