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Three Pieces for Solo Clarinet is a solo instrumental work by Igor Stravinsky. The work was composed in 1918. [ 1 ] It was published in 1919, shortly after the completion of his Suite from L'Histoire du Soldat , as a thank-you gift to the philanthropist and arts patron Werner Reinhart , who was also an amateur clarinetist. [ 2 ]
Donald Francis Tovey – Clarinet Sonata in B-flat major, Op. 16 (1906) [7] Charles Villiers Stanford – Clarinet Sonata, Op.129 (1911) [ 8 ] William Henry Bell – Clarinet Sonata in D minor (1926) [ 5 ]
Raga Music; Rhapsody (Osborne) S. Scent Dance I; ... (Cage) T. Three Pieces for Solo Clarinet This page was last edited on 26 September 2024, at 20:00 ...
Music For Violin and Harp; Music For Harp and Three Brass Instruments (trumpet, trombone, & French horn) Music for Nicanor (harp, flute, clarinet & string quartet) Commentaires sentimentaux (flute, viola and harp) Two Sacred Songs (soprano, violin, cello, harp & organ) Ancient Walls (trombone & harp) Ancient Walls (horn & harp)
Ebenezer Prout: Clarinet Sonata, Op. 26 (1882) [3] Felix Draeseke: Clarinet Sonata (1887), which also can be played by a violin; Samuel Coleridge-Taylor: Clarinet Sonata (c1893) [4] Josef Rheinberger:Clarinet Sonata, Op. 105a (1893) Johannes Brahms: Clarinet Sonata No. 1 (1894) Clarinet Sonata No. 2 (1894) William Henry Hadow: Clarinet Sonata ...
The genre of music was commonly played at military recruitings. The second movement is much more introspective and has a continuously shifting mood without a defined theme. The third is a frenzied dance that begins with a scordatura (G ♯ -D-A-E ♭ ) violin section, after which the clarinet introduces the main theme.
The Clarinet Works of Jörg Widmann: A Performance Guide to Fantasie for Clarinet Solo with a Survey of Unaccompanied Clarinet Repertoire and Guide to Contemporary Techniques (DMA thesis). Ohio State University. Mala, Defrim (2019). The music avangard Jörg Widmann and an analyse on his main work "The Fantasie for Clarinet Solo" (Master's thesis).
Note names are also used for specifying the natural scale of a transposing instrument such as a clarinet, trumpet, or saxophone. The note names used are conventional, for example a clarinet is said to be in B ♭, E ♭, or A (the three most common registers), never in A ♯, and D ♯, and B (double-flat), while an alto flute is in G. [2]