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Hotel des Artistes is a historic residential building located at 1 West 67th Street, near Central Park West, on the Upper West Side of Manhattan in New York City. [1] Completed in 1917, the ornate 17-story, 119-unit Gothic-style building has been home to a long list of writers, artists, and politicians over the years.
Square Dance (ballet) Stars and Stripes (ballet) The Steadfast Tin Soldier (ballet) Stravinsky Violin Concerto (ballet) Suite of Dances (ballet) A Suite of Dances; Swan Lake (Balanchine) Les Sylphides; Symphony in C (ballet) Symphony in E-flat (ballet) Symphony in Three Movements (ballet) Symphony No. 1 (ballet)
The Catalog of paintings in the Louvre Museum lists the painters of the collection of the Louvre Museum as they are catalogued in the Joconde database. The collection contains roughly 5,500 paintings by 1,400 artists born before 1900, and over 500 named artists are French by birth.
The ballet continues to be a mainstay in the New York City Ballet's repertory. [1] Between 1958 and 1961, Afternoon of a Faun was performed by Ballets: USA, Robbins' company, during their State Department-funded tours. During these tours, John Jones, a black dancer, was paired with Wilma Curley, and later Kay Mazzo, both white women. [8]
Pavillon de Flore in 2011. Carpeaux's sculpture Flore is centered under the pediment of the south (river) facade. Outline plan of the Louvre Palace: the Pavillon de Flore is at the lower left, in red; the former Tuileries Palace, on the left, in white; the 'old' quadrangular Louvre, on the right, in two shades of blue.
Pages in category "Paintings in New York City" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. B.
The photobook “New York City Ballet: Choreography & Couture” chronicles the decade-long relationship between the dance company and elite fashion designers.
Below is the résumé of scenes and dances taken from the theatre program of the St. Petersburg Imperial Ballet. It is the Imperial Ballet's production as staged by Marius Petipa that serves as the basis for all modern-day productions. Act I. no. 01 Prélude et Mazurka; no. 02 Valse et jalousie; no. 03 Scène; no. 04 Mazurka; no. 05 Scène