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Poems of the Imagination (1815–1843); Miscellaneous Poems (1845–) 1798 Her eyes are Wild 1798 Former title: Bore the title of "The Mad Mother" from 1798–1805 "Her eyes are wild, her head is bare," Poems founded on the Affections (1815–20); Poems of the Imagination (1827–32); Poems founded on the Affections (1836–) 1798 Simon Lee 1798
The Giaour is a poem by Lord Byron first published in 1813 by John Murray and printed by Thomas Davison. It was the first in the series of Byron's Oriental romances. The Giaour proved to be a great success when published, consolidating Byron's reputation critically and commercially.
This book is [the work of] don Michael of Northgate, written in English in his own hand, that's called: Remorse of Conscience. And in a postscript, Ymende. þet þis boc is uolueld ine þe eve of þe holy apostles Symon an Iudas / of ane broþer of þe cloystre of sanynt Austin of Canterburi / ine þe yeare of oure lhordes beringe 1340.
"Remorse for Intemperate Speech" is a poem written by Irish poet William Butler Yeats. It appeared in his 1933 volume of poems The Winding Stair and Other Poems. Yeats wrote this poem in August 1931. The contents speaks about the fanatic feelings and the capacity for hatred a person can feel in the dark part of the heart.
The origin of this poem is alluded to by Burns in one of his letters to Frances Dunlop: "I had an old grand-uncle with whom my mother lived in her girlish years: the good old man was long blind ere he died, during which time his highest enjoyment was to sit and cry, while my mother would sing the simple old song of 'The Life and Age of Man'". [1] "
The word albatross is sometimes used metaphorically to mean a psychological burden (most often associated with guilt or shame) that feels like a curse. It is an allusion to Samuel Taylor Coleridge's poem The Rime of the Ancient Mariner (1798). [1]
Yet the Poem contains many delicate touches of passion, and indeed the passion is every where true to nature, a great number of the stanzas present beautiful images, and are expressed with unusual felicity of language; and the versification, though the metre is itself unfit for long poems, is harmonious and artfully varied, exhibiting the ...
Byzantium" is a sequel to "Sailing to Byzantium" (from The Tower), meant to better explain the ideas of the earlier poem. An important insight on Yeats's concern of death lay in the poem "Byzantium" which further exploits the contrast of the physical and spiritual form and the final stanza concludes by differentiating the two.