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Her gown is confined with a wide belt at the high waist, and she wears a black partlet that reveals a red kirtle over her high-necked chemise trimmed with gold embroidery, 1542. Flemish costume of 1542 features turned-back trumpet sleeves lined in fur and a black partlet. The high-necked chemise of fine linen has ruffles at the wrist, and a ...
The long-waisted silhouette of the previous period was replaced by a high-waisted style with fullness over the belly, often confined by a belt. The wide, shallow scooped neckline was replaced by a V-neck, often cut low enough to reveal the decorated front of the kirtle beneath.
The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678 . Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
The fashion for women was all about letting loose. Women wore dresses all day, every day. Day dresses had a drop waist, which was a belt around the low waist or hip and a skirt that hung anywhere from the ankle on up to the knee, never above. Daywear had sleeves (long to mid-bicep) and a skirt that was straight, pleated, hank hem, or tiered.
The fitted dress had a V-neckline and covered her knees, and a black belt cinched her waist. She also wore black heels. She wore all-white to a golf event at Mar-a-Lago in January 2013.
Italian fashion of the 1590s featured bodices cut below the breasts and terminating in a blunt U-shape at the front waist, worn over open high-necked chemises with ruffled collars that frame the head. The Dogaressa of Venice wears a cloth of gold gown and matching cape and a sheer veil over a small cap, 1590s.
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