Search results
Results from the WOW.Com Content Network
The song samples Luiz Bonfá's 1967 instrumental song "Seville", with additional instrumentations of beats and a xylophone playing a melody based on "Baa, Baa, Black Sheep". The song was released in Australia and New Zealand through Eleven Music on 5 July 2011 as the second single from Gotye's third studio album, Making Mirrors (2011).
"Black Sheep" is a song written by Danny Darst and Robert Altman, and recorded by American country music artist John Anderson. It was released in September 1983 as the first single from the album All the People Are Talkin'. The song was Anderson's third number one on the country chart.
Black Sheep is a 2006 New Zealand comedy horror film written and directed by Jonathan King.It was produced by Philippa Campbell and stars Nathan Meister, Danielle Mason, Peter Feeney, Tammy Davis, Glenis Levestam, Tandi Wright, and Oliver Driver as a group of people who must defend themselves when a genetic engineering experiment turns harmless sheep into bloodthirsty zombies.
“Hello again, friend of a friend.” Writer-director Edgar Wright just dropped some big news for fans of his 2010 cult classic, “Scott Pilgrim vs. the World.” On Friday, Wright tweeted a ...
"Baa, Baa, Black Sheep" is an English nursery rhyme, the earliest printed version of which dates from around 1744. The words have barely changed in two and a half centuries. The words have barely changed in two and a half centuries.
Black Sheep is the final appearance of Spade and Farley together. On Rotten Tomatoes it has an approval rating of 30% based on reviews from 33 critics. The site's consensus states: "Chris Farley and David Spade reunite to diminishing returns in Black Sheep, a comedic retread that succumbs to a woolly plot and sophomoric jokes."
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
The Metric song "Black Sheep" included on the soundtrack is said by Haines to be like a caricature of Metric, that "aspects of the song, the electro aspects of the band, and the abstract lyrical visualizations, are extreme examples of certain aspects of [the band]". Godrich noted that because of this the song "was perfect for this film.