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Rainism was released in various formats throughout Southeast Asia. The album was released with a new cover. [2] Each version was released with the original track list as well as international versions of his two singles, ″Love Story″ and "Rainism", in English, Japanese and Chinese.
The EP sold over 53,584 copies in South Korea and was the 26th best-selling album of 2010. [5] In Japan, the EP sold over 8,000 copies. [6] The Japanese version was released with a different cover, a Japanese version of "Love Song" and a DVD with a making of as well as the "Love Song" music video.
In October 2009, in support of his fifth album Rainism, Rain kicked off his third concert tour, The Legend of Rainism Tour with two shows at Olympic Gymnastics Arena in Seoul on October 9 and 10. [42] It continued with concerts in various parts of Asia and at The Colosseum at Caesars Palace in Las Vegas, Nevada, on December 24–25, 2009.
U.S. Senator Chris Van Hollen has introduced legislation seeking to halt American weapons sales to the United Arab Emirates until the United States certifies that the UAE is not arming the ...
In support of his fifth album Rainism, Rain kicked off his third concert tour titled "The Legend of Rainism Tour" in August 2009. [9] It continued with concerts in Japan, Korea, Hong Kong, Indonesia, the United States and Taiwan.
THE COUNTDOWN: From Charli XCX’s neon-splattered club remix with Lorde to The Cure’s moment of bleary-eyed brilliance 16 years in the making, here are the songs that defined 2024, chosen by ...
At the San Antonio Food Bank, low-income community members feel "frustrated," stuck in a vicious cycle of monthly rent and utility costs they can't keep up with, said CEO Eric Cooper. "They have ...
The song experienced commercial success in South Korea; Billboard said that "Rain rose to prominence as a soloist shortly after he released his first album Bad Guy in 2002 and saw major success with singles like 2004's 'It's Raining' and 2008's 'Rainism.'" [4] Writing for Tidal magazine, Jeff Benjamin regarded it as a key track that represented K-pop's sonic and artistic growth, saying that ...