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The MIDI 1.0 specification does not directly support microtonal music, because each note-on and note-off message only represents one chromatic tone. However, microtonal scales can be emulated using pitch bending, such as in LilyPond's implementation. [98]
Twelve Microtonal Etudes for Electronic Music Media, Op. 28, is a set of pieces in various microtonal equal temperaments composed and released on LP in 1980 by American composer Easley Blackwood Jr. In the late 1970s, Blackwood won a grant from the National Endowment for the Humanities to investigate the harmonic and modal properties of ...
Hába's first microtonal composition is Suite, op.1a from 1918, his earliest published mictrotonal piece is the 2nd Quartet (1920) and his last was the 16th Quartet from 1967. Note that 'semitone' refers to the usual 12-tET scale, ' quarter-tone ' refers to 24-tET, ' 5th-tone ' refers to 31-tET (not 30-tET), ' 6th-tone ' refers to 36-tET, '12 ...
Microtonal compositions (4 P) J. Just tuning and intervals (4 C, 14 P, 3 F) M. Microtonal musicians (1 C, 47 P) N. ... Xenharmonic music This page was last ...
Sonido 13 is a theory of microtonal music created by the Mexican composer Julián Carrillo around 1900 [1] and described by Nicolas Slonimsky as "the field of sounds smaller than the twelve semitones of the tempered scale." [2] Carrillo developed this theory in 1895 [3] while he was experimenting with his violin.
His professional debut (12 note ET music) occurred on a Composers Forum program in New York, 1959. In 1960, compelled by his ear, he began writing microtonal music, and continued to do so for the rest of his life, with the occasional exception being taped music for dancers.
Ivor Darreg (May 5, 1917 – February 12, 1994) was an American composer and leading proponent of microtonal or "xenharmonic" music. He also created a series of experimental musical instruments . Biography
In microtonal music, magic temperament is a regular temperament whose period is an octave and whose generator is an approximation to the 5/4 just major third. [1] [2] [3] In 12-tone equal temperament, three major thirds add up to an octave, since it tempers the interval 128/125 to a unison. In magic temperament, this comma is not tempered away ...