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The Perks of Being a Wallflower is a 2012 American coming-of-age romantic drama film written and directed by Stephen Chbosky, and based on his 1999 novel. Logan Lerman stars as a teenager named Charlie who writes to an unnamed friend, and these epistles chronicle his trials, tribulations, and triumphs as he goes through his freshman year of high school.
The soundtrack to the 2012 coming-of-age drama film The Perks of Being a Wallflower written, directed and based on the 1999 novel of the same name by Stephen Chbosky, features a selection of pop, rock and jazz compilations by various artists, handpicked by Chbosky and music supervisor Alexandra Patsavas. [1]
Stephen Chbosky (/ ʃ ə ˈ b ɒ s k i /; [1] born January 25, 1970) is an American film director, screenwriter, and author. He is best-known for writing the bestselling coming-of-age novel The Perks of Being a Wallflower (1999), as well as for writing and directing the 2012 film adaptation of the book.
The subjective experience of being unseen by others in a social environment is social invisibility. A sense of disconnectedness from the surrounding world is often experienced by invisible people. This disconnectedness can lead to absorbed coping and breakdowns, based on the asymmetrical relationship between someone made invisible and others. [5]
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Caroline da Cunha Duarte (born 10 July 1991), better known as simply Carol Duarte, is a Brazilian actress. [1] She has won various awards, including an APCA award, an Extra Award, and a Platino Award, along with nominations for the Grande Otelo award and the Guarani Prize.
Must be a defining trait – Characters with access to vast powers (such as magical spells, advanced technology and genetic engineering) who are theoretically capable of this superhuman feature or ability – but who have neither made regular use nor provided a notable example of this extraordinary or supernatural feat – are not listed here.
An unseen character in theatre, comics, film, or television, or silent character in radio or literature, is a character that is mentioned but not directly known to the audience, but who advances the action of the plot in a significant way, and whose absence enhances their effect on the plot.