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An Inuit woman in 1945 with traditional face tattoos. Kakiniit (Inuktitut: ᑲᑭᓐᓃᑦ [kɐ.ki.niːt]; sing. kakiniq, ᑲᑭᓐᓂᖅ) are the traditional tattoos of the Inuit of the North American Arctic. The practice is done almost exclusively among women, with women exclusively tattooing other women with the tattoos for various purposes.
The tattoos could represent pride in being a woman, beauty, and protection. [4] They were associated with rites of passage for women and could indicate marital status. The motifs and shapes varied from island to island. Among some peoples it was believed that women who lacked hajichi would risk suffering in the afterlife. [5]
Typical markings include vertical lines from the lower lip that extend to beneath the chin. [2] According to tattoo anthropologist Lars Krutak, the width of the lines and the spacing between them were traditionally associated with each of the nine groups of Hän Gwich’in. Girls would be tattooed to identify their group.
The Meaning Behind Mandala Tattoos Mandala is the Sanskrit word for “circle” and a decorative illustration representing elevated thought and more profound meaning (per World History Encylopedia ).
Also covered by the term is the visual art of the Celtic Revival (on the whole more notable for literature) from the 18th century to the modern era, which began as a conscious effort by Modern Celts, mostly in the British Isles, to express self-identification and nationalism, and became popular well beyond the Celtic nations, and whose style is ...
Tattoos hold rich historical and cultural significance as permanent markings on the body, conveying personal, social, and spiritual meanings. However, religious interpretations of tattooing vary widely, from acceptance and endorsement to strict prohibitions associating it with the desecration of the sacred body.
The tattoos are usually done at home by other women (Romani women were traditionally hired for this work), [75] and symbolize personal milestones and community history and identification. The tattoos are often made by indentation and insertion of indigo dye on the face, ankles, wrists and other body parts.
Although known only from Roman contexts, the name Epona ('Great Mare') is from the Gaulish language; it is derived from the inferred Proto-Celtic *ekʷos 'horse', [5] which gives rise to modern Welsh ebol 'foal', together with the augmentative suffix-on frequently, although not exclusively, found in theonyms (for example Sirona, Matrona) and the usual Gaulish feminine singular -a. [6]
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