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A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
Baritone range: The vocal range of the baritone lies between the bass and tenor ranges, overlapping both of them. The typical baritone range is from A2 (the second A below middle C) to A4 (the A above middle C). A baritone's range might extend down to F2 or up to C5. The baritone is the most common type of male voice. [6]
The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end.However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice.
Vocal range is the range of pitches that a human voice can phonate. A common application is within the context of singing , where it is used as a defining characteristic for classifying singing voices into voice types . [ 1 ]
The introduction of amplification allowed male leading roles to be assigned to baritones, albeit ones who often had an extension into the tenor range. [44] David Young also notes that the baritenor voice can be particularly useful for roles such as Marius in Fanny where the character ages significantly during the course of the musical.
Tenore di grazia, also called leggero tenor [a] (graceful, light, and lightweight tenor, respectively), is a lightweight, flexible tenor voice type. [2] [3] The tenor roles written in the early 19th-century Italian operas are invariably leggero tenor roles, especially those by Rossini such as Lindoro in L'italiana in Algeri, Don Ramiro in La Cenerentola, and Almaviva in Il barbiere di Siviglia ...
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G 3 to D 5 or E 5, [1] although a sopranist (a specific kind of countertenor) may match the soprano's range of around C 4 to C 6. [2]
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