Search results
Results from the WOW.Com Content Network
A young Franco Luambo playing the six-string guitar on a wooden chair outside a house in Léopoldville in 1956. François Luambo Luanzo Makiadi was born on 6 July 1938 in Sona-Bata [], a town located in then-Bas-Congo Province (now Kongo Central), in what was then the Belgian Congo (later the Republic of the Congo, then Zaire, and currently the Democratic Republic of the Congo).
Franco Luambo (right), Isaac Musekiwa (left), and Joseph "Mujos" Mulama (center) in Léopoldville, ca. 1963. In the early 1960s Vicky Longomba and Jean Essous left OK Jazz to join African Jazz. Franco then became the leader of the band. He recruited vocalists Kwamy Munsi and Mulamba Joseph Mujos. Simaro Masiya Lutumba joined OK Jazz in 1961. [2]
Franco Luambo (c. 1938–1989) — singer, guitarist, composer, and bandleader.He is regarded as one of the pioneers of Congolese rumba and his contributions to the music industry have earned him a revered status both within the Democratic Republic of the Congo and internationally [8]
The Statue of Franco Luambo (French: Statue de Franco Luambo) is a 2.97-meter-tall bronze sculpture depicting Congolese rumba musician Franco Luambo designed by Congolese sculptor Alfred Liyolo Limbe M'Puanga.
Omona Wapi is an album by Congolese singer-songwriters and bandleaders Franco (Francois Luambo Makiadi) and Tabu Ley Rochereau. [1] Both artists competed for popularity in Africa in the latter half of the 20th century as they contributed to the development of soukous. [2]
Meanwhile, Franco Luambo and the OK Jazz School transformed the sebene into the central element of Congolese music, as opposed to merely a departure between choruses, with Franco's odemba style being "rougher, more repetitive and rooted in rhythms that moved the hips of dancers at Kinshasa's hottest clubs." [88]
Franco Luambo is often credited for popularizing and revolutionizing sebene. [1]Sebene, also spelled seben, is an instrumental section commonly played in Congolese rumba. [2] [3] It is usually played towards the end of the song and is the dancing section where the lead and rhythm guitars take the lead in the dance.
In 1953, the Congolese music scene began to differentiate itself with the formation of African Jazz (led by Joseph "Le Grand Kallé" Kabasele), the first full-time orchestra to record and perform, and the debut of fifteen-year-old guitarist François Luambo Makiadi (aka Franco). Both would go on to be some of the earliest Congolese music stars.